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#1 Amid This Stony Rubbish
July 2015

The inaugural issue of Salvage. See more information about its contents here.

Buy a copy of the latest issue here.

 

Newest Articles /

    From Choice to Polarity: Politics of, and, and in Art

    by China Miéville

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    In a rough landscape in central Africa, men are at work. They carry fire, haul industrial parts, wheeze under protective masks. They’re sweating and exhausted. When at last evening comes, they clock off and shower for a long time under cobbled-together plumbing. Then they rummage in battered wardrobes, bring out extraordinary clothes, and transform.

    Crocodile shoes; canary jackets; Savile Row shirts. Twirling canes, they set out through the dust to strike a pose. To perform. A strut-off in a late-night bar.

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    Corbyn Blimey: Labour and the Present Crisis

    by John Merrick

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    The experience of three millennia has not made people any cleverer; on the contrary, it has made them more confused, more prejudiced, has driven them mad, and the result of this is the political state of present-day Europe." Engels, ‘The Condition of England II: The English Constitution’

    Over the past year there has occurred the most profound shift in the British political establishment since the landslide Labour victory following the end of the Second World War. In Scotland, a traditional Labour heartland, the Scottish National Party swept to an enormous victory taking fifty-six out of a possible fifty-nine seats (up from 2011’s six, and a previous best of eleven in the 1974 general election). This was matched in the rest of the UK by the continuing crisis of the three major parties. Both Labour and the Conservatives polled under 40 per cent of the total vote, and the Liberal Democrats lost forty-nine of their seats by polling under 2.5 million votes in total – around 1.3 million less than UKIP, despite Farage’s party coming out of the election with just a single seat.

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    Year V

    by Hannah Elsisi

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    Photo of military officer and child carrying Egyptian flag overlooking the newly extended Suez canal, right caption: ‘Child with an Army’ and to the left is the iconic photo of Aylan Kurdi, dead on the EU’s shores with a caption reading: ‘Child who lost his army’. This image was projected onto a huge screen at the Alexandria toll gates.

    There is this not-so-rare occurrence which academics dread: you write something, but before it’s finished, someone else publishes the exact same thing and you’re left with dead words and the ludicrous task of nit-picking the other author’s argument for no obvious reason at all, simply because you need to publish. You have to make that REF exercise, or you’re fired. This is the first non-academic piece that I have written in several years and it's refreshing not to have to care. So I’m going to go ahead and open with almost the same sentence Alaa abdel-Fatah wrote for the Guardian from his cell in Tura prison, on 23 January 2016, just a stone’s throw away from me and my comfortable Cairo home.

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